When I seen the prompt for Kick About #40 over on reds Kingdom I wanted to see if it was possible to make an animation using the same analogue technique of scraping patterns into black painted glass and using the magic of long exposure to produce a time-lapse of images to see the growth of each burst of light. It was possible – however my original efforts were undesirable and left things a bit muddled. Instead I tried to opt for something simpler by taking photos of each glass setup in pin prick focus and another in a diluted blur to then sandwich both the images next to each other so that a burst of light pops with a simple hard cut in the edit.
I wanted to mimic the life force of a firework display and have the festivities start off slow to gradually bubble to a climax before the the lights fade and the sound of people are no longer completely drowned out. Truth be told I made things harder for myself by shooting each image in 4K and was left scratching my head as to why it was originally painfully slow to edit this short film, by changing the resolution of each image to something my laptop could handle and reimporting, it was a complete joy to edit further. It was the kick in the arse I needed to get on with things and to remember the joy of seeing a short film through its end, lets make it on time for the next one.
Some great news today – Pools created in response to the Kick about on Reds Kingdom has been nominated in the Human-Environment category with The International Human Environment Care Film Festivalin the Heart Of Pickering, Canada. The International Human Environment Care Film Festival has a special interest and preference in submissions that speak about the conservation of our planet as it reads “it is our belief nature is the mother of life, and its importance is undeniable. We wish to watch more films commemorating the value of the environment and nature. Films that speak on behalf of nature. Today environmental protection is the biggest challenge of humankind and we hope films can contribute to this challenge.”
Pools was discovered deep with the caverns of the forestry in Ireland where it was filmed and I may not be done with the footage and photography just yet, a recent wave of inspiration ignites the feeling of diving back in..
Some good news today – Pools created in response to the Kick about on Reds Kingdom has been nominated in the experimental category and will be screened with 7th Siding Festival of Film. The 7th Siding Festival of Film has a special interest and preference in submissions that are ‘Rural’ and or remotely produced locations outside of urban centre’s. Films are exhibited in 4 venues in Creston, including the single screen art deco style Tivoli Theatre first opened in November 1938!
Welcome to this first anniversary edition of The Kick-About, a fortnightly blog-based creative challenge in which artists of all stripes come together to present work in response to a given prompt. I asked contributors to choose a favourite work of their own from the previous twenty-five editions so I could celebrate them all together here.
I completely forgot about these experiments that never seen the light of day when creating the pools film. I thought about possibly interspersing short elements of treetops that I filmed and have these otherworldly orbs float amongst and behind the tree trunks to encapsulate and cocoon the texture, colours and nature with the forestry into mini universes. These orbs were created by using the filmed footage from the Pools film and turning it into image sequences and applying them to spheres within Maya, then adding lots of depth to them by applying bump and displacement maps. Displacement and bump maps basically calculate the white and black of texture maps within a 3D space and in turn raise or decrease the geometry to extrude and add depth, without these maps the sphere would have been a basic sphere. As I was editing the pools film I knew they weren’t going to make the cut and it was best to leave it be. Still enjoyable to play around with though! Especially with its uncertainty and since the filmed footage is basically plugged into the spheres and changes frame by frame it would have been really interesting to see what happens when finished rendering I can imagine those water ripples causing Synesthesia like effects. Maybe something will happen with them in the future, even to just full-fill my curiosity…
I have decided to give the short film Pools that was created deep within the forest a bit of a revamp. Since I had been mucking about with the photography taken where Pools was filmed and really liking how rich the colours ended up I wanted the film to reflect this more so I dialled the photoshop modus operandi to translate over to premiere and balance alongside the edits of the photos. Colour Grading is an untouched realm for me, I have never really delved into the colour editing user interface within Premiere pro or Davinchi Resolve but after jumping in with this edit I can see myself oohing and ahhing at the capabilities of different tones and moods that any different grade can accomplish. Although proving difficult to choose only one I went through a lot of different colour varied iterations and landed on this one which I think is a nice mix of the cooling blues and fiery reds that flourished from the photos.
Another batch of photography taken from the lagoon deep within the forest that inspired the Pools film that can be viewed here. I am currently in the process of setting up an online print on demand shop, where large scale prints of those photos can be purchased. It is an exciting venture that I have always dreamed of delving into and I’ve decided to jump head first!
Before plopping myself down on the earthy forest floor and hitting record on my camera to document the meditative ripples that transpire within the forestry lagoon that inspired the Pools Film, I took many photos that gave the same filmic effect and have superimposed them for that same elemental visage. With every falling drop of snow the resulting photograph is a drastic change from the last resulting in a plethora of different colours and textures – an addictive waiting game where I spent hours watching and capturing the unpredictability as it unfolded, listening to the many calming drip sounds so that I can snap away.
This weeks kick about prompt over at Reds Kingdom being the art, life and times of the Austrian painter, Eugen von Ransonnet-Villez, and with it inspired an experience I had when I returned to the forest this past winter. I happened to come upon a small trench like lagoon deep within the caverns of the forest where the snow above was melting and gently plopping into the lagoon. The lagoon was shallow meaning I could see the dirt, grasses and flowers filtering about in the water with the slightest movement. The glare of the crispy winter sun projecting shadows of the spruces and firs, lighting certain areas of the undergrowth in a vibrant red, the trees and shrubbery being reflected upon the water causing a mandala of colours to be refracted and ripple as snow drops fell from above.
Experiencing this was one of most pleasurable tranquil experiences I have ever had. I sat and watched this private show for a long time and felt as though time had frozen along with my hands. I pressed record on my camera and although I didn’t have a tripod which meant for some shakiness It was an absolute pleasure to edit this film and with it I have attempted to capture that feeling of complete tranquility. The song by Kris Keogh entitled “We Were Gone Further Than Forever” transported me back to that tranquil meditative state again, with sections feeling like time moving, flowing and reversing, correlating full circle to an eco system of nature where everything becomes one with the earth again.