An impressionistic series exploring the crisp blue skies in November, when the speckled burnt umber and yellow leaves start to fall and bleed into the skyline.
The third and final cluster of images created in response to JMW Turner’s Vesuvius in Eruption. Leaning into what the photograph was telling this bunch took a different turn to its predecessors.
A second assortiment of mixed media photography created for this weeks JMW kick About over on Red’s Kingdom. The goal being to turn my photography of Rural Ireland into ruinous oil paintings.
This weeks fortnightly creative prompt over on Red’s Kingdom is the painting – Vesuvius in Eruption by Joseph Mallord William Turner. I was awestruck by the colours of turners painting, especially the light and darkness and contemplated about how the land after Mount Vesuvius would have been teamed in nothing but dark ash and charred to a crisp. The suffocating poison smoke billowing into the air, the wispy remains of trees and how the lava would have cemented over the landscape. I decided to seep through the surplus of landscape photography I have of of rural Ireland and gave a whirl of harmonising in apocalyptic darker hues to turn my photography into the style of ruinous oil paintings. Here is some mixed media images created by digitally painting over my photography of those images of rural Ireland.
The final set of dancing illuminated orbs inspired by the Soundsuits of Nick Cave.
A third set of dancing illuminated orbs inspired by the Soundsuits of Nick Cave.
A second set of images for this weeks kick about on Red’s Kingdom inspired by the Soundsuits of Nick Cave. This film and the coloured dancing orbs comprised of nothing more then some sequins thrown into a large wok and at times shook about for a bit of moment, It’s always enjoyable figuring out what you can get away in the most analogue way possible.
This weeks kick about on Red’s Kingdom is the glorious dancing soundsuits of Nick Cave. I knew that I wanted to make a film, I wanted it to be loud and primal and I wanted to use some sort of fabric or elements that could makeup the intricate soundsuits of Nick Cave’s creations. I decided to chuck a bag of shiny sequins of various shapes into a large wok and film it! Bringing down the shutter speed of my camera and aperture while defocusing so that the tacky butterflies, hearts and stars become nothing but dancing spherical orbs lit ablaze with a tiny but powerful led light. It was one of those moments were everything fell into place so nicely. The edit was a dream and thoroughly enjoyable.