Brume #3

A few final eerie photographs from back in December when the fog was so dense it made this usually busy park feel completely barren. As I was walking through the quietened park in the early hours of the morning, I happened across a broken tree branch that still had its leaves left, I liked the way the full leaves looked against the looming wispy trees in the distance – as if they’ve been submerged to some sort of chemical within the mist that strips them bare.

Haze – Ireland 2020

There is nothing I love more than when the weather turns to haze. The way that it turns simple landscapes into such rich ominous scenes, the way that it always affects light and how it hints at narrative – I can’t help but wonder about the inhabitants sheltering inside the gloom. It reminds me of my time spent in Beijing, the light was peculiarly different there, assuming it had to do with smog, it made it so that the light pooled out from its source towards you and subverting some sort of wall that atmospheric perspective would usually allow you to know the distance between you and elements further away. Whenever there is fog I love nothing more than to go for a long curious walk which always feels like your reality turns into a sort of dream state. The weather is promised to be foggy tonight, fingers crossed it is so that I can go for one of those walks and see what my camera can can capture.

Pools @ ArtClick Ireland “Full Irish” Online Art Exhibition

Delighted to announce one image from my art photography series entitled Pools has been selected to be a part of the “Full Irish” online exhibition as part of Art Click Ireland. Art Click Ireland being the largest online platform for Irish art I am thrilled to be a part such an eclectic mix of artists utilising all mediums. Click the link below to be emerged within the exhibition and see some great art – all from the emerald isle.

Full Irish” Online Art Exhibition

Throwback – Golden Hour Hues

Now that the evenings are creeping in I reminisce about times spent in Ireland during the Winter. I know that pictures of sunsets is one of the things that are overabundant on the internet but something magical happened on this particular evening on one of my usual routes trudging through the boglands of rural Ireland. I am no meteorologist but the gloomy clouds crept in out of nowhere during this trip while away in the distance the golden hour gleam lit up where I was standing in a brilliant red, Yes the photos have been edited to bring out the red but done so in a way to highlight how it felt in the moment, while further away the ghostly spherical arc of a rainbow could be seen. I felt like I was in the epicentre of a storm – it was one of those moments where I basked in what was going on around me and before I could take any more photos from different angles it was gone in an instant.

Throwback – Irish Green Landscapes #2

I couldn’t help but edit some more photos taken from my adventures during my trip back home to Ireland this past Winter. These photos were taken from jumping neighbours fences and weaving in and out of crammed trees deep within the forestry as well as a couple taken from the mysterious Castle Hackett where the fairy folk are in abundance. Again inspired by the exquisite painterly photographs of Belgian photographer Léonard Misonne (1870-1943) I edited these photos in attempt to capture some semblance of the same glowy atmospheric vistas where you would imaging finding something ephemeral and dream like waiting for you.

Throwback – Irish Green Landscapes

Recently coming across the exquisite painterly photographs of Belgian photographer Léonard Misonne (1870-1943) who famously said “The subject is nothing, light is everything” to say that I am inspired by his work is an understatement. It is hard to approach Misoone’s work knowing that they are photographs when they look like soft, luminous oil paintings that a master of the craft spent hours mulling over to get the right amount of tenderness. Back in the day it is intriguing to know that Misonne relied on manipulating his photographs during the printing process to get the mood he sought and to that I never understand why people turn their nose up to manipulating photos as even way back then it is still a tool used to help the intent wanted.

I decided to search through the many hard drives I have stored full of photos with the majority taken from my excursions around rural Ireland this past Winter. I picked a bunch that I thought would be ideal to experiment with to see if I can mimic a fraction of Misoone’s glowing photographs. Although these photos were taken in the dead of Winter, the dew brimmed evergreen spruces and ground foaming with moss makes it hard to distinguish.

While editing these photos I feel like I have learned something fundable about photography – when you take detail out of things in favour of something softer the colour can be left to sing which makes the photograph feel more painterly and makes the viewers eye not focus on one thing in particular but take everything in as a whole, which I think can give more mood, tone and emotional intent. Not to say that photography that is sharply focused doesn’t have its own impact, just that it hits differently. Photography is a relatively new medium for me and experimenting to find artists, elements and approaches that I admire and that give me an initial feeling of loving the way a piece looks is exhilarating, figuring out the why is the important part and it is always exciting when you find it.