A third offering of gloomy mist filled vistas when the sky had fallen and bloomed outwards, dulling the light and defusing the horizon.
A second set of photos taken in the early hours of the morning when the milky fog was so thick it transformed the streets into an uncanny world not to be disturbed.
A random assortment of environment art that I had yet to share on Gentle Giant – created for the spooky season or just the exploration of colour in space, fun as always.
This weeks Kick About on Red’s Kingdom is the Père Lachaise Cemetery in Paris. Lately I have been looking to a lot of German expressionism in my own work, the monochromatic shapely designs of the set dressings are unparalleled and always leave me wanting more. With that it mind I wanted to do some black and white eerie angular paintings inspired by German expressionism.
A third and final set of photographs from a journey into an abandoned and forgotten house deep in the countryside and shrouded in nature. I enjoy exploring places like this, although slightly melancholic to see the remnants of people left behind clouded in dust and mildew – the trophies and knitwear full of dust bunnies, the good china left to dip in rotten cabinets. I always how spaces would have looked when it was full of life.
More shots taken from the exploration to the house in Roosters Rest. I would imagine in its hay day this house was probably stylish. Warm woods are implanted throughout with midcentury credenzas and dressers dressing up the bedrooms now being seized by nature. Fireplaces and doors are painted bright colours and those thin patterned curtains providing an ominous ooze of colour from the blinding greens and yellows outside.
Some photography from a neighbouring dilapidated house in sleepy Roosters Rest where the crumbling structure was full of mildew and spiders. The curtains, yellow tinged glass and bright wallpaper oozing colour throughout the walls and halls of this silent place. Like stepping into a time machine.
Something a bit random and rather eerie for this post. Doing a bit of landscaping around the house to empty the leaf litter into the bins I was perplexed when I opened up the otherwise untouched bin to first notice the hefty spiders scuttle away amongst the eroding leaves but shocked to notice the sparkling webs sitting above the leaves reflecting the trees from above in a pulpy oozy green. I’ve never seen a spider web like it – the webbing so thick like a slime or saliva from a much bigger creature. It’s as if the garbage juice residue amongst the bin caused some sort of condensation to attach and grow the web in size. I couldn’t help but snap some pictures – with the dangling cocoon framed and suspended in a silky diamond chamber, the funnel of web leading towards it. Nightmarish stuff!
A second cluster of collages for this weeks John Stezaker Kick About. The likes of Ernst Haeckel’s botany illustrations, Anton Kerners “Plantscapes” and some garish dental illustrations make up the smorgasbord of cutouts in these depictions. I have learned that I really enjoy fabricating collages – Like all creatives processes there is a time when everything looks a mess with no cohesiveness whatsoever, but a certain shape will flourish and be a golden nugget that will spark something in the right direction – by moving something here, scaling something there, a whack of colour here, a penis there, things start to manifest into from – like the final missing puzzle piece.
This weeks Kick About over on Red’s Kingdom is the freakish portrait photography of John Stezaker entitled Marriage (Film Portrait Collage), where photographs of celebrities are split into uncanny cacophonies. Because Stezaker drew inspiration from Dadaism and Surrealism by kit-bashing and appropriating images into bizarre collages, I decided to splice together some absurdities in a fun – no fucks given kind of way, all images nicked from the public domain of course.