With this weeks prompt over on Red’s Kingdom being “Souvenir“ I don’t know about anyone else but I have felt a shift in the air with things starting to feel more autumnal and I always connect this time of year with the cosiest of films. I may have been watching too many of the horror and slasher type, but with this prompt my head went straight to the macabre. There was lots of trickery and doing and trying with this project, I will be sharing all the fun revolving around the in’s and out’s of how I got the resulting photographs up to this point in the coming days. Stay tuned.
Some great news today – Pools created in response to the Kick about on Reds Kingdom has been nominated in the Human-Environment category with The International Human Environment Care Film Festival in the Heart Of Pickering, Canada. The International Human Environment Care Film Festival has a special interest and preference in submissions that speak about the conservation of our planet as it reads “it is our belief nature is the mother of life, and its importance is undeniable. We wish to watch more films commemorating the value of the environment and nature. Films that speak on behalf of nature. Today environmental protection is the biggest challenge of humankind and we hope films can contribute to this challenge.”
Pools was discovered deep with the caverns of the forestry in Ireland where it was filmed and I may not be done with the footage and photography just yet, a recent wave of inspiration ignites the feeling of diving back in..
Some good news today – Pools created in response to the Kick about on Reds Kingdom has been nominated in the experimental category and will be screened with 7th Siding Festival of Film. The 7th Siding Festival of Film has a special interest and preference in submissions that are ‘Rural’ and or remotely produced locations outside of urban centre’s. Films are exhibited in 4 venues in Creston, including the single screen art deco style Tivoli Theatre first opened in November 1938!
Some more experimental renders from Ersilia. I am currently animating the climax scenes where the intensity is ramped up and the music pulses and throbs. More updates to come 〰️
This kick about over at Reds Kingdom was a lot of fun. I really enjoyed injecting some colour into the greyness that is 2020. Dancing blobs, brush strokes and spirals got me out of a bit of a funk as I think it’s impossible to fret when listening to the tunes of Arnold Ammons who accompanied the vivacious animation by Norman McLaren – The whole Boogie Woogie genre is sure to make you smile.
It’s also proving worthwhile translating what I am learning from the Ersilia project into this little animation as the same old school paint effect techniques of those constricting ropes in which Ersilia resides is used in a much more colourful way with this approach. I apologise for the tragic quality of the video! for some reason it looks like I uploaded it with a microwave… but as this current version is a WIP hopefully I’ll figure out why the crispness is naught… or maybe that works well with the nostalgia of the music? I’ve attached some screen grabs and more experimental renders that are being edited in for the latter chunk of the song.
Ersilia is starting to flourish as I continue to work on it which is a refreshing way to go about things as in this manner figuring it out as I go is proving enjoyable. I really love editing to music where a piano cord or violin screech effects how I interpret the edit, making it so that the music drives the edit and overall feel of the film and that is very much the case with the music accompanying the film created by Sergey Cheremisinov. The song which is entitled “Sleepwalker“ has sporadic, creaks, fizzes and pin drop like spot sounds which adds another layer of texture to the music and invigorates a visceral response when animating the accompanying visuals.
The music starts off slow with a mesmerising hum that gradually builds up to water and bird song heard in the distance before transforming into something more violent and throbbing with surges and pulses echoing throughout. I am about to move into the more complex scenes which is the second half of the film and where the music swells and grows as will the visuals and is the part I’m most excited about.
I think because this film doesn’t have any moving characters and isn’t plot driven I want it to feel more ambiguous, more abstract and up to the viewers own interpretation. What I want to accomplish with this film is to feel like you are just experiencing the music, like the film is rhythmic and an extension of the music to embellish the song and work in tangent with it. It is all completely new territory for me and one that is proving invigorating.
Dance of the Happy Shades – a previous kick about over on Reds Kingdom was one of the most enjoyable Kick About’s thus far. I loved this prompt because it came very instinctively where I ended up making a little micro short, filmed from the inside of my bathroom’s poorly painted cabinet in my dingy west London apartment, where the light was shining brilliantly through the dusty bathroom window and in through a crack in the cabinet. I used my phone to film the light as I repeatedly opened and closed the cabinet door – making the light flow across the cabinet and then bringing those clips into after effects and mucking about by using some blend mode trickery, where lights and shadows started to materialise interesting shapes. To the precise eye some of them resembling a shodowy effigy.
The music discovered and accompanied this prompt is by Sergey Cheremisinov, which really drived this short and remembering that I went back to Sergey’s catalog to see if anything would fit the current short that I am working on. I found a piece that made me smile and shiver and after hearing the score it changed the periphery of the film into something a lot less dark, which I think works better (2020 is dark enough!) probably more sombre but I think that will be up to interpretation. Something about Sergey’s pieces with all its the creaks and fizzes overlaid sporadically invigorates a visceral reaction that make it feel like some thing is alive that shouldn’t be. I envision a lot when I listen to his music and like his music I want this film to have a replayability factor, so that really is the mission of this film and a whole new territory for me and one I’m excited to give a whirl.
Another kick about is over at Reds Kingdom with a smorgasbord of offerings from artists across the globe. I put forward this prompt over at Reds Kingdom as Calvino’s Invisible Cities is something that has always inspired me, it was my first digital painting project of my first year at Computer Animation Arts and with I started to quickly fall in love with digital painting and because of that it’s one of my favourite creative practices.
With digital painting I do find that their is a “shite zone” where things look like shite for a time before some golden nugget clicks, Whenever I am very deep In the shite zone I remember back to the invisible cities project and just how curious I was about the vast possibilities that photoshop has when it comes to digital painting. I found myself trying every tool within photoshop to see what it did and because of that I wasn’t worrying about the final outcome but enjoying the process and visualising the possibilities as they started to materialise. I always try to mimic that feeling with everything I do nowadays so that an accident or just mucking about with something can leave something interesting.
With this prompt Calvino describes a city made out of strings – “In Ersilia, to establish the relationships that sustain the city’s life, the inhabitants stretch strings from the corners of the houses, white or black or grey or black-and-white according to whether they mark a relationship of blood, of trade, authority, agency. When the strings become so numerous that you can no longer pass among them, the inhabitants leave: the houses dismantled; only the strings and their supports remain”
I originally was thinking about doing a piece of concept art or traditional art but I was itching to do something a bit more abstract and a bit uncanny. The Uncanny is always something I’ve wanted to take a proper bash at, inspired a good few kick about’s ago where I went into detail about the eerie nature plumbing from my Dad’s basement and in that basement Dolls inhabited the darkness along with the spiders and the pungent dust and how it all horrified me – in the best way; remembering that I decided this kick about was the one for such imagery.
The film is currently still ongoing, I am thoroughly enjoying doing something aesthetically completely different to anything I have ever done before and also learning the technical elements to achieve the look of the film, which aren’t that technical and a bonus! The whole film is rendered with Maya software which is glorious because it is rendering quickly and means that it doesn’t take long to see the results, I choose this option for that reason and also because Maya software renders with the moody lighting I was after. Until the film is ready to be released I have attached some of the renders from the film below.