Short Film: Pools – Photography Part 1

Before plopping myself down on the earthy forest floor and hitting record on my camera to document the meditative ripples that transpire within the forestry lagoon that inspired the Pools Film, I took many photos that gave the same filmic effect and have superimposed them for that same elemental visage. With every falling drop of snow the resulting photograph is a drastic change from the last resulting in a plethora of different colours and textures – an addictive waiting game where I spent hours watching and capturing the unpredictability as it unfolded, listening to the many calming drip sounds so that I can snap away.

Short Film: Pools

This weeks kick about prompt over at Reds Kingdom being the art, life and times of the Austrian painter, Eugen von Ransonnet-Villez, and with it inspired an experience I had when I returned to the forest this past winter. I happened to come upon a small trench like lagoon deep within the caverns of the forest where the snow above was melting and gently plopping into the lagoon. The lagoon was shallow meaning I could see the dirt, grasses and flowers filtering about in the water with the slightest movement. The glare of the crispy winter sun projecting shadows of the spruces and firs, lighting certain areas of the undergrowth in a vibrant red, the trees and shrubbery being reflected upon the water causing a mandala of colours to be refracted and ripple as snow drops fell from above.

Experiencing this was one of most pleasurable tranquil experiences I have ever had. I sat and watched this private show for a long time and felt as though time had frozen along with my hands. I pressed record on my camera and although I didn’t have a tripod which meant for some shakiness It was an absolute pleasure to edit this film and with it I have attempted to capture that feeling of complete tranquility.  The song by Kris Keogh entitled “We Were Gone Further Than Forever” transported me back to that tranquil meditative state again, with sections feelings like time moving, flowing and reversing, correlating full circle to an eco system of nature where everything becomes one with the earth again.

A Return To The Forest #2

Some further photos from my return to the Forest, this time deeper within the shrubbery and depths of the forest where much of the melting snow only reaching the very tops of the tree arches high above and open areas not secluded by the pines and firs. I particularly notice those grooves notched into the earth where stumps of previous trees once laid and where the dirt was laid higher along trenches for the planting of the tree life. The snow from the other side of the neighbouring land not having trees dotted on every inch but instead wide open meant that the brilliant white light of the snow penetrated through to our forestry – adding a white rim light like ghostly frozen fog to the already ominous scene and highlighting those curvy, warped grooves of the tree linings, trunks and tendrils. Pointing and staring towards the direction of the neighbouring snow makes the scene feel like an angelic view of a world not far from reach and one that you cannot help but float blindly towards, the many seemingly empty holes in the ground from badgers and foxes makes you wonder if they have come-hither towards the light too.

A Return to The Forest #1

I promised I would return to this enchanted forest this Winter after reliving the memories that this forest holds with a recent kick about reflecting on the words of Robert Frost. I did return to the forest when we got a dumping of snow and I relished in all its sensory overload.

As I was editing these pictures I could hear the birds, I can feel the clean air through the bristles of my beard, I can hear the sound of melting snow dropping from the Spruce’s above into a water filled trench below, I can feel myself watching the water ripple as the drippings lapped the forest colours in a mesmerising kaleidoscope, I could feel the snow squelch beneath my boots as I walked further and further. I could feel it all as if the images from my laptop imploded into a projection around my room in an augmented reality of memories and senses.

This is where you do lockdown right, how you spend your time correctly in a worldwide pandemic. In a place and surroundings that don’t feel like it has been gripped by the turmoil of Miss Rona. It doesn’t feel like anything is starkly different here because in all reality, it isn’t. It is untouched and it always will be. I miss the sheer joy on my dogs faces as they jumped with glee to see that I was taking out the leash from the shed to go on another daily adventure. I miss my neighbours allowing me to hop over the fence in their yard and trudge through the shite in my wellies to find mini universes iced over in the ponds and lakes that weave amongst the surplus of trees. I miss the smells, I miss the air, I miss the peace. I miss it.

Snow and the Blue Room

A previous Kick About saw me reflect upon the uncanny nature distilled around my Dads basement with all its cellar dweller spiders and porcelain dolls. This same peculiar feeling residing in an old creaky house that has always felt under construction and will never be finished transpires throughout its mammoth 4 floors.

I stayed at my dads house in Ireland one night when the show was falling like thick ashes and as me and my brother drove to my Dads looking towards the blinding kaleidoscope of falling snow, I knew the thick snow was going to up the ante and stillness of my Dads with it feeling like a cotton blanket of insulation that quietens all. The fountain having an a new ashy extrusion and the cement lions on the pillars having a new white beard.

The only working shower is for some reason in the upstairs hallway with the blue room in particular feeling very ominous. There is a bright orange sink in the corner of the blue room with the buzz of a magnificent yellow shaver light that bounces off the walls and the vanity with the room being crammed with bric a brac and photos of our past; My Dad is a collector of sorts and takes pride in all the stuff he has collated throughout his travels, a story attached to each.

Above the door in every bedroom is a window and as my room felt crammed with things the only suitable place for the bed was near the door with the eerie window above it, as a young lad I always perceived some thing peering over those windows and watching as I slept, or tried too; the thing would move with the sound of the bubbling fish tank heard down the landing of the stairs with the light no longer as the black catfish cemented to the side of the tank watched on.

I ventured down the road to our neighbour Jonjo’s yard, hot spiced rum in hand where me and my cousins used to get up to all sorts of mischief and where the remnants of hideouts in the trees still remain – a nail here and a piece of weathered wood there. The yard lit in a brilliant orange light to illuminate the little huts like a beacon where calfing sheep or cattle used to give birth in the bitter Irish cold. The falling snow over my camera lens making it look like a bursting sun.

I’ve always appreciated the creepiness of my Dads house, it always sparks my imagination and even through it might seem unfriendly It’s just a facade, its warm, old and careworn. Although the basement is another kettle of fish, with it’s low ceilings you are likely to feel a sticky spider web stuck to your face. Just don’t turn the lights off, things come alive when you do that down there.