The final set of dancing illuminated orbs inspired by the Soundsuits of Nick Cave.
A third set of dancing illuminated orbs inspired by the Soundsuits of Nick Cave.
A second set of images for this weeks kick about on Red’s Kingdom inspired by the Soundsuits of Nick Cave. This film and the coloured dancing orbs comprised of nothing more then some sequins thrown into a large wok and at times shook about for a bit of moment, It’s always enjoyable figuring out what you can get away in the most analogue way possible.
This weeks kick about on Red’s Kingdom is the glorious dancing soundsuits of Nick Cave. I knew that I wanted to make a film, I wanted it to be loud and primal and I wanted to use some sort of fabric or elements that could makeup the intricate soundsuits of Nick Cave’s creations. I decided to chuck a bag of shiny sequins of various shapes into a large wok and film it! Bringing down the shutter speed of my camera and aperture while defocusing so that the tacky butterflies, hearts and stars become nothing but dancing spherical orbs lit ablaze with a tiny but powerful led light. It was one of those moments were everything fell into place so nicely. The edit was a dream and thoroughly enjoyable.
Before you embark and get lost among Roosters Rest Woods, where a lot of photography has been taken such as here, here and here, you first have to climb the picturesque trail that wraps its way up a steep hill. The hill overlooking the neighbouring fields and farms like patchwork not visible in these photos. On the decline, before the tunnel of trees you are greeted with the curious bleating of sheep as they watch in amusement as I jump over fences and gates to disappear amongst the sitka spruces. It was a typical rainy day in Ireland when these photos were taken, not the fun kind of rain that it is a joy to watch where it bounces off everything but the misty kind where it clings to your clothes and saturates everything, and on this day – my camera lens. Although I do like this kind of mist as it adds to the effect of diffusing the scenery, blurring the boundaries of distance and softening the silhouettes of those pesky sheep.
When I seen the prompt for Kick About #40 over on reds Kingdom I wanted to see if it was possible to make an animation using the same analogue technique of scraping patterns into black painted glass and using the magic of long exposure to produce a time-lapse of images to see the growth of each burst of light. It was possible – however my original efforts were undesirable and left things a bit muddled. Instead I tried to opt for something simpler by taking photos of each glass setup in pin prick focus and another in a diluted blur to then sandwich both the images next to each other so that a burst of light pops with a simple hard cut in the edit.
I wanted to mimic the life force of a firework display and have the festivities start off slow to gradually bubble to a climax before the the lights fade and the sound of people are no longer completely drowned out. Truth be told I made things harder for myself by shooting each image in 4K and was left scratching my head as to why it was originally painfully slow to edit this short film, by changing the resolution of each image to something my laptop could handle and reimporting, it was a complete joy to edit further. It was the kick in the arse I needed to get on with things and to remember the joy of seeing a short film through its end, lets make it on time for the next one.
Some more explorations with colour and light, using the same paired down kit of a sheet of black painted glass with scribbles dots and whirls scraped onto its surface and propped against a light source. The magic of long exposure photography turning them into ornate stained glass. I’m not quite done delving into this exhilarating technique just yet so expect more to come.
Some more experiments with fizzing stars, flying comets and glowy milky-ways created in response to the Kick About #40! Using the same analogue technique of painting a sheet of glass black, sketching into that glass and propping a light source behind – who knew something so simple could provide oodles of entertainment!?
In the previous post I talked about how the blobby forms of this technique are my favourite. When the cameras focus was changed after the shutter had been pressed and left to linger for a moment made it so that the inside scratches were in focus but the colour bled out past the scratches into blobby forms. It took me a lot of tinkering to realise why my own experiments all were in focus no matter how much I fucked about with aperture and changed the focus, it was simply because my light source – in this case my iPad and laptop with abstract paintings as its wallpaper was sandwiched too close up towards the glass and simply moving the light source back about a foot gave the long lasted impression I longed for, I mean it when I say my face lit up with excitement…
To me the reason that the blobby ones hit different is because they ignite warm nostalgic memories that have otherwise been dormant, memories that are never crystal clear. These batch of images below reminds me of the town that I grew up in during the summer months as kid. August in the scorching heat, the nights pitch black, the annual rickety fair ground would come to town for the summer fair where my cousins, my friends and I would be hopped up on sugar (or booze if we could get it) and hurry onto all the fairground rides that nowadays would never even pass a safety inspection. One ride in particular was a bunch of cages called the rock-n- roll that rolled around as it spun, another ferris wheel form of this called the rock-o- plane were it was high above the ground.
The rock-n- roll ride had a wide strap that was pinned to your waist that was supposed to be your belt and there to protect you, when I look at this image I remember the plethora of bruises we all had on our skinny hips and abdomens from spam riding this death trap and I remember the pain – not from the bruises but from laughing so hard. I remember the rush of legging it onto the bumper cars to not be left with the shits ones that barely moved that would obviously be savaged by the faster glittery few. The smell of oil masked with popcorn, the feel of candy floss masking your teeth with grit as it melts to pure sugar, the sound of old cogs grinding and machines whirring. I remember the diamond shaped lights that rimmed and flickered the fairgrounds makeshift timber and beams. The strobe lights that made would flash making it seem as though we were in slow motion – freeze-framing us as we screamed our lungs out as we rocked and rolled into the night.
With this weeks kick about prompt being ancient Japanese illustrations of fireworks or “flowers of fire” you can imagine the offerings from artists all over are bursting with colour, light and pure spectacle! With my own submission I nicked a technique created by Phil Gomm that left my jaw completely ajar which you can see here, here and here The technique is created by simply painting a sheet of glass black, etching into that glass to create dots, swirls and lines and placing a light source behind to then photograph. To see such a simple setup create such magic hit me with a wave of inspiration and I knew it would be something that I would have to give a whirl of sometime. I think creative constraints a lot of time work in you favour as restrictions can stop the overwhelm of choice and help you out in the end and is something I want to remember. What I loved the most about experimenting with this technique is when the light bled out from within the lines to create a blob of colour around the crisp sketching – these examples are the first whack at it and it took me many attempts to figure out why this first batch of offerings are so crisp and do not have those blobs of bleeding colour that I craved. I became a bit obsessed with this outlet so there is many more on the way, including the fun blobby ones.