A different set of photos from a different forestry shrouded with flora back in rural Ireland. Even in the depths of winter these woods were flooded with green, I would love to return here in the summer to really see the it in full bloom! As I trekked further into the woods I found my absolute dream house – a log cabin nestled and shielded by the trees, oh the envy…
Some either photography from Roosters Rest Woods. There was a moment where the sun broke through the dull clouds and lit the scenery with orange rim light – painting the wispy birch trees and lighting up the high grasses.
Some more photography from Roosters Rest Woods. I found this area of untouched water, where the leaf litter formed a miniature galaxy of meandering green petals – like Van Gough’s The Starry night. It never ceases to amaze me the little wonders that are right on my doorstep.
More explorations in compositions and colour deep within the forest flora of Roosters Rest woods. I love the way the bleached birch trees lines the forestry at the front like quick brush strokes while the darker pine trees bulked out the rear, licked by the swaying high grass.
Another set of photos from my excursions to Roosters Rest woods. Noticing the effects of leaf litter and how they sprinkle the landscape into painterly dots coupled with the momentary glows of the sun as it showed itself from amongst the clouds and lit the treetops, paying close attention to the bizarre witches broom.
One thing I appreciate so much about rural Ireland is how friendly everyone is, hopping a neighbours fence and trudging through the muck to be greeted by a friendly wave from that neighbour is not something that ever goes amiss, you certainly wouldn’t get that in London. These photos are taken from a forestry that stretches throughout many acres of land and where many of the icy spectacles from previous adventures were captured. If I had it my own way I would buy this land, build a log cabin with my bare hands and happily live here surrounded amongst the wildlife and nature, like living in a painting.
This time of year always reminds me of the time I found a relic of nature tucked away in a sleepy forest in the back arse of nowhere in rural Ireland. This photography series has meant a lot to me, and having a look back through the ever growing vault of images stored in many hard drives and SD cards, I was stalled again when scrolling through the abundance of images captured from that special place. Inspired by it yet again, I dived back in to showcase the colour, light and reflection of the portal like water that danced as drops of snow lapped its surface in little meanders and swirls.
When I seen the prompt for Kick About #40 over on reds Kingdom I wanted to see if it was possible to make an animation using the same analogue technique of scraping patterns into black painted glass and using the magic of long exposure to produce a time-lapse of images to see the growth of each burst of light. It was possible – however my original efforts were undesirable and left things a bit muddled. Instead I tried to opt for something simpler by taking photos of each glass setup in pin prick focus and another in a diluted blur to then sandwich both the images next to each other so that a burst of light pops with a simple hard cut in the edit.
I wanted to mimic the life force of a firework display and have the festivities start off slow to gradually bubble to a climax before the the lights fade and the sound of people are no longer completely drowned out. Truth be told I made things harder for myself by shooting each image in 4K and was left scratching my head as to why it was originally painfully slow to edit this short film, by changing the resolution of each image to something my laptop could handle and reimporting, it was a complete joy to edit further. It was the kick in the arse I needed to get on with things and to remember the joy of seeing a short film through its end, lets make it on time for the next one.
Some more explorations with colour and light, using the same paired down kit of a sheet of black painted glass with scribbles dots and whirls scraped onto its surface and propped against a light source. The magic of long exposure photography turning them into ornate stained glass. I’m not quite done delving into this exhilarating technique just yet so expect more to come.
Some more experiments with fizzing stars, flying comets and glowy milky-ways created in response to the Kick About #40! Using the same analogue technique of painting a sheet of glass black, sketching into that glass and propping a light source behind – who knew something so simple could provide oodles of entertainment!?