When reading about Sheila Legge’s inspiration behind her walking real life surrealist exhibition for this weeks Kick About and how she was so inspired by the paintings of Dalí, I decided to create some Dalí-esque dream-like landscapes while paying homage to Legge’s face full of flowers. The female models were downloaded and imported into Maya where on their heads I glued an abundance of multicoloured flowers- tiger Lilly’s, Dahlia’s, Delphinium’s, African Lilly’s and Daisy’s. Combined with a quick and dirty rig and skin of the figures as well as some mountains in the background to complete the scene and move the figures to my every whim. The rig on the figure on the left of the above image messed up and I loved how fluid and melty the resulting movements turned out – I tried to replicate this mistake with the other rigs but my efforts did not gratify, It was one of those moments where a mistake tuned out to be a blessing but could not be recreated.
This prompt also reminded me of one of my favourite films – Annihilation (2018). In particular when the team walk across a baron land called “The Shimmer” where their bodies start to turn into plant matter. It is a strange and beautiful film that left a lasting impression on me, much in the same respect that surrealist paintings do.
With this weeks prompt over on Red’s Kingdom being “Souvenir“ I don’t know about anyone else but I have felt a shift in the air with things starting to feel more autumnal and I always connect this time of year with the cosiest of films. I may have been watching too many of the horror and slasher type, but with this prompt my head went straight to the macabre. There was lots of trickery and doing and trying with this project, I will be sharing all the fun revolving around the in’s and out’s of how I got the resulting photographs up to this point in the coming days. Stay tuned.
Some great news today – Pools created in response to the Kick about on Reds Kingdom has been nominated in the Human-Environment category with The International Human Environment Care Film Festivalin the Heart Of Pickering, Canada. The International Human Environment Care Film Festival has a special interest and preference in submissions that speak about the conservation of our planet as it reads “it is our belief nature is the mother of life, and its importance is undeniable. We wish to watch more films commemorating the value of the environment and nature. Films that speak on behalf of nature. Today environmental protection is the biggest challenge of humankind and we hope films can contribute to this challenge.”
Pools was discovered deep with the caverns of the forestry in Ireland where it was filmed and I may not be done with the footage and photography just yet, a recent wave of inspiration ignites the feeling of diving back in..
It has been a long time coming since Phil Gomm with Reds Kingdom and myself had a long chat about all the creative endeavours underway. Everything from Pools, The Green Glider Animated short, The Lighthouse Keeper and delving into the freelance realm is discussed below. Have a gawk and a listen.
It’s been rather too long since artist-in-residence, Graeme Daly, and I sat down for a proper blether about his continuing adventures as a freelancer, film-maker and photographer. I keep up with Graeme’s various creative endeavours via his Gentle Giant blog and Twitter feed, but nothing tops an old-fashioned chinwag…
Some good news today – Pools created in response to the Kick about on Reds Kingdom has been nominated in the experimental category and will be screened with 7th Siding Festival of Film. The 7th Siding Festival of Film has a special interest and preference in submissions that are ‘Rural’ and or remotely produced locations outside of urban centre’s. Films are exhibited in 4 venues in Creston, including the single screen art deco style Tivoli Theatre first opened in November 1938!
It has been a bit since an update for The Lighthouse Keeper. I have been continuing to film scenes during the early hours of the morning and after a failed attempt at butchering some fake tea lights I caved and found a better alternative for the protagonists all important emblem of caged light. Shadow puppet animation is a completely new realm for me and with it comes a slew of hurdles to overcome but experimenting and noticing the techniques of how light affects shadows is a really fulfilling. Here is some screenshots of some filmed scenes, more to come.
Some further experiments of light painting photography taken from a while back. Situated in the middle arch of the high vaulted ceilings within our house, I like this spot a lot. I love how the arch frames the pool of light and how a sliver of light rims the skirting boards. I must admit while taking these photos it is easy to get spooked as the only light source was my makeshift bicycle light from which the light painting is born and while peering into the long pitch black corridors made it feel like at times I may not be alone, which only adds to the experience.
When I was an ambassador for University one hot summer similar to the melting heat in the UK at the moment I was tasked with taking down the graduate shows of the students that proudly presented their creative work to their family, friends and fellow students. I spent a few weeks dismantling the makeshift wooden stages, pulling out nails and painting over the brightly coloured stripes and symbols that students designed to present their work in theme with their creations.
One task that I had to do was take large painted canvases that students had painted on and throw them into the skip near the smokers shed where I spent many lunch breaks laughing and smoking my lungs out with my friends and classmates. It always saddened me to know that some students would rather dump their work no matter how large the canvas was, so instead of giving them the heave-ho into the trash I told my thrifty friends of the free large canvases that they happily decided to take back to their uni homes and upcycle to their hearts contents, painting and drawing what they please.
I kept the largest canvas for myself, Dripping in sweat carrying this beast down the iconic Rochester hill and ended up sandwiching it into my tiny uni bedroom. I never did anything with the canvas for years – it has since followed me along with two house moves. I have had ideas, I cut out all the silhouettes I kept from life drawing classes and thought about doing a collage of all of them together on the large canvas, but never did but I always knew I would when the time was right.
I have always loved Rutenberg’s kaleidoscope of colours, with the blocks of different variants of hues having such an immense power of depth to them. I thought it would be the perfect chance to finally let loose upon this canvas and use the many tubes of paint that I have stashed from many Christmases gifts that otherwise have been left to gather dust. I couldn’t think of any better way to spend a hot day – sitting outside in the heat with a cold beer or two and painting away in the garden. It was a therapeutic experience to say the least. I think I may have to figure out how to make my own canvases.
This weeks kick about over on Red’s Kingdom revolves around the life and times of German animator Lotte Reinager who was the pioneer of shadow puppet animation. The responses from all the creatives offer an eclectic bunch of contributions to feast your eyes on. When doing research for the Howard Sooley – Prospect Cottage prompt I came across the inspiring work of Reinager and since then I have been busy cutting, gluing and making for a shadow puppet animated short entitled The Lighthouse Keeper which centres around the peculiar landscape of Dungeness and a couple of burley blokes. Creating something for the sake of creating and figuring out the hurdles and bumps is what proves most enjoyable about delving into a fresh medium that I have yet to attempt. The stage is now set, the characters are ready to move, the lights are on and with it the sheer joy of seeing the cutout shapes and silhouettes lit up ablaze brings a smile to my face that makes the absolute bomb site of my shrinking bedroom all worth it.
I am sharing the majority of the cut out shapes, the stage and silhouettes that will feature in the film as well as some lighting and staging tests that feature the main protagonist. I will be showcasing all the nitty and gritty process here, things that worked, things that didn’t and how I plan on animating elements that would require more than just my two hands.
This weeks kick about over on Reds Kingdom revolves around Fundus Photography. When looking up images of fundus photography I was reminded of Olafur Eliasson and his otherworldly The Weather Project, but also the people that got to experience such an event. With all this in mind I have been yearning to do some digital painting as it has felt like yonks ago since I have held my wacom pen and got lost in some jazz music while painting away. I envisioned a blazing sun from a planet where the sun fills the air in a misty orange hue – a sprawling metropolis materialised with vivacious characters and stories between them, feeling so close but far away. It was a thoroughly enjoyable prompt to flex those digital painting muscles again.