This weeks Kick about over on Reds Kingdom is a delight of colour and symbolism! Firstly, I was gobsmacked by the age of Aquarius song from the musical Hair. It left the hairs standing on my arms with the booming lead singer’s voice being absolutely phenomenal. If this show ever returns to live audiences I would love to see it! The “hippie” people of this era wanted to show their respect and love for the earth and focus on the world around them, while doing it as a group effort to show a sense of community and togetherness. Aquarius is an air sign, and as a fellow air sign myself, they are known to be creative, free spirited, and always seek clarity.
The symbol for Aquarius being the ‘water bearer’, who eternally gives life and spiritual food to the world, while also washing away the past and making room for a fresh start is usually depicted as a mighty figure pouring water from a vessel onto the earth. When seeing the image of the water bearer, I wanted to focus on a previous experience surrounding water that ignited the Pools film from the Eugen von Ransonnet-Villez prompt, which gave me more respect for the earth and the little wonders that happen sporadically, if you are open enough to find them.
These photos show a snapshot of a spectacle that was for my eyes only, where a trickling of snow was melting and forming a mirage of colours in a shallow lagoon of water. It was a joyous occasion to just sit and watch this natural occurrence, and with its dancing display, it allowed me to stop worrying about everything and what the future holds and just be here in this moment. I think experiences like that are important for grounding you and bringing you back to your present reality, where worry has no place, as the hippies in Hair embodied this physicality here and now by dancing and moving their bodies like water…”
I completely forgot about these experiments that never seen the light of day when creating the pools film. I thought about possibly interspersing short elements of treetops that I filmed and have these otherworldly orbs float amongst and behind the tree trunks to encapsulate and cocoon the texture, colours and nature with the forestry into mini universes. These orbs were created by using the filmed footage from the Pools film and turning it into image sequences and applying them to spheres within Maya, then adding lots of depth to them by applying bump and displacement maps. Displacement and bump maps basically calculate the white and black of texture maps within a 3D space and in turn raise or decrease the geometry to extrude and add depth, without these maps the sphere would have been a basic sphere. As I was editing the pools film I knew they weren’t going to make the cut and it was best to leave it be. Still enjoyable to play around with though! Especially with its uncertainty and since the filmed footage is basically plugged into the spheres and changes frame by frame it would have been really interesting to see what happens when finished rendering I can imagine those water ripples causing Synesthesia like effects. Maybe something will happen with them in the future, even to just full-fill my curiosity…
When this past weeks kick About was revealed I knew I wanted to make a film that was quick and spontaneous, what I didn’t know is that it would be bursting with colour and that it would feel very cathartic and fun to work on. A lot of the stuff going on in the film was a bit of a fluke with the music driving the animation, serendipity was definitely sought after with this film and I for sure felt that; feeling giddy when the renders had finally finished. I’ve always wanted to muck about with Maya’s motion design plugin – Mash and I learned a lot about it with this little animation as for me I think the best way of learning something is to jump straight in and try and make a film out of it!