Painting With Light – Synesthesia #2

Another batch of photography from my first round of painting with light. When I first seen the images from the window nook containing the table and three chairs I lit up and was invigorated to spend a long time here, trying testing and experimenting – working with those theatrical curtains and light pooling in between its fabric crevices. I have some more experiments planned for the coming nights and I’m skittish to continue to capture some spectres.

Painting With Light – Synesthesia #1

The majority of my roommates moved out recently and I miss them dearly, the house is so quite and feels empty knowing that I can’t go outside our garden and have a cigarette and a laugh with them or be a victim of one of their many pranks or have them be a victim of one of mine. I live in a converted mansion of a house where the outside walls are brick red with gothic, victorian esque rounded towers, the house now converted into 3 separate buildings where our floor on the bottom being the largest house, while the floors above us converted into apartments with sprawling staircases.

My roommates have taken the wifi with them and I have been subjected to a digital detox which has been a blessing in disguise (currently using my dwindling data to post this) as its proving to get on with things that otherwise might have been put off. I have always wanted to give a bash at painting with light using long exposure trickery in particular when living in this house, the high ceilings with its ornate painted plaster and extruded window nooks with long thick curtains – one can imagine how the light would look in all its divots and grooves making it an ideal spot to give it a shoulder popping whirl.

I found myself finding things strewn about the place that I thought would work well – One morning after waking up to our roommates mammoth mounds of no longer of use rubbish strewn across the front patio thanks to pesky foxes I found a red bicycle light, and deep within the experiments of painting with light I noticed a rod hooked up to the large curtains used to draw back them back so you don’t end up pulling them off the rail, it became the perfect apparatus to attach the bicycle light too, meaning I wouldn’t be seen as some sort of shadowy figure in the results of the long exposure shots, even though wearing all black didn’t completely get me in the clear of some of the earlier shots.

I can really see the appeal of this endeavorer – It is invigorating to press the shutter button, swing violently away and away and then run back to your camera to await patiently for the shutter to finally release so that you can see the fruits of your labour. while the house is still empty I am going to keep experimenting with this. I bought some new LED strip lights but the results were less than desirable as the lights are too bright with too many – meaning the room was far too lit up, but with some tinkering I might be able to salvage something out of them. In the dedicated store room of our home where the walls are filled with discarded amazon boxes I found a head lamp with a strap, another golden opportunity to see what this light source can do, there’s also the possibility of not showing parts of the light – what about putting a bright light in say, a food strainer and spin that violently around? or some some of tube that funnels the light? the experiments feel endless and the creative juices are bubbling.

Éire – Photography Series #1

Some photos taking back from the Emerald Isle from this past winter. I find it so fascinating to observe the minute details that a single patch of earth provides in rural Ireland, every few feet there is something different to marvel at – a new collection of colours and textures that are only heightened during crisp, dewy winter mornings where the parts of the flora are submerged and stuck in its icy capture. Their tendrils like a miniature kraken raring to pounce or some sort of leggy thing cracking out of a shell and ready to usurp whatever living thing is staring at it.

The Bogland – Ireland January 2021

I have been busy setting up an online shop for art photography prints and have been in the process of organising, selecting and editing a slew of photos to see what will make the cut. Here is some edits of photos that was taken back in January of this year, which feels like a lifetime ago. I can almost taste the clean air and feel my boots squelch in the rich peat filled trenches as my dogs watch cautiously in preparation for an almost face plant.

You Were Once Wild Here, Don’t Let Them Tame You.

With this week’s prompt over on Red’s Kingdom being “You were once wild here, don’t let them tame you” I instantly thought about being amongst the countryside of Ireland, and surrounded by flora and fauna. When I was younger, I was wild at heart; I climbed the highest trees, I made hideouts, I swam in rivers. The ground on top of hills surrounded by fairy trees was ground down by my cousins and myself, with our bikes fucked into the nearest ditch. We could be heard screaming with joy in this landscape playground that was all around us. We would cycle into town, put our money together and buy sweets and milkshakes, then cycle back – milkshake in hand and eat our feasts, supported by tree trunks and makeshift wooden slats. I feel like I grew up on the precipice of this wild and free way of life, before it started to die out with the younger generation concentrating more on the protective shield of screens. I still feel like I have that sense of adventure within me, and when it is my birthday this year I am buying myself a bike to find some places that remind me of that time, I might not make hideouts like I used too, but I will be taking photos of places that bring me back to that untamed nature.

Pictured here are photos from the forest taken this past Christmas, where we ran amok often. I wanted the photos to feel nostalgic, with a rustic warmness to them and an influx of colour, but also show that we adventured to places like this in all seasons and all weather, where we were free and wild with not a care in the world. We never let anyone tame us and that’s how it should be.

 

Vitamin D and Mimosa Trees

Finally a taste of summer! It was glorious to get my milk bottle legs out and get some sun on my pasty Irish face while inviting the aroma of the yellow mimosas and exotic looking palm trees and. A definite serotonin and Vitamin D boost was well needed by all, coupled with the relaxing of measures here in the UK it’s hard not to feel giddy for better times ahead.

Short Film – Pools: Colour Grade Revamp

I have decided to give the short film Pools that was created deep within the forest a bit of a revamp. Since I had been mucking about with the photography taken where Pools was filmed and really liking how rich the colours ended up I wanted the film to reflect this more so I dialled the photoshop modus operandi to translate over to premiere and balance alongside the edits of the photos. Colour Grading is an untouched realm for me, I have never really delved into the colour editing user interface within Premiere pro or Davinchi Resolve but after jumping in with this edit I can see myself oohing and ahhing at the capabilities of different tones and moods that any different grade can accomplish. Although proving difficult to choose only one I went through a lot of different colour varied iterations and landed on this one which I think is a nice mix of the cooling blues and fiery reds that flourished from the photos.

Short Film: Pools – Photography Part 2

Another batch of photography taken from the lagoon deep within the forest that inspired the Pools film that can be viewed here. I am currently in the process of setting up an online print on demand shop, where large scale prints of those photos can be purchased. It is an exciting venture that I have always dreamed of delving into and I’ve decided to jump head first!

Short Film: Pools – Photography Part 1

Before plopping myself down on the earthy forest floor and hitting record on my camera to document the meditative ripples that transpire within the forestry lagoon that inspired the Pools Film, I took many photos that gave the same filmic effect and have superimposed them for that same elemental visage. With every falling drop of snow the resulting photograph is a drastic change from the last resulting in a plethora of different colours and textures – an addictive waiting game where I spent hours watching and capturing the unpredictability as it unfolded, listening to the many calming drip sounds so that I can snap away.

Short Film: Pools

This weeks kick about prompt over at Reds Kingdom being the art, life and times of the Austrian painter, Eugen von Ransonnet-Villez, and with it inspired an experience I had when I returned to the forest this past winter. I happened to come upon a small trench like lagoon deep within the caverns of the forest where the snow above was melting and gently plopping into the lagoon. The lagoon was shallow meaning I could see the dirt, grasses and flowers filtering about in the water with the slightest movement. The glare of the crispy winter sun projecting shadows of the spruces and firs, lighting certain areas of the undergrowth in a vibrant red, the trees and shrubbery being reflected upon the water causing a mandala of colours to be refracted and ripple as snow drops fell from above.

Experiencing this was one of most pleasurable tranquil experiences I have ever had. I sat and watched this private show for a long time and felt as though time had frozen along with my hands. I pressed record on my camera and although I didn’t have a tripod which meant for some shakiness It was an absolute pleasure to edit this film and with it I have attempted to capture that feeling of complete tranquility.  The song by Kris Keogh entitled “We Were Gone Further Than Forever” transported me back to that tranquil meditative state again, with sections feeling like time moving, flowing and reversing, correlating full circle to an eco system of nature where everything becomes one with the earth again.