Mirage #2

A second set of images created for this weeks kick about over on Red’s Kingdom inspired by the paintings of Augustus Osbourne Lamplough. Creating these images uses a few different methods of mixing different mediums, First the images of the initial landscapes were captured on camera, then they were transformed in the edit by adding more yellows and browns to the already parched landscape, finally adding multiples of different shapes on top of each other with low opacities to emulate the layered effects of Lamplough’s watercolour paintings. 

Mirage #1

This weeks kick about over on Red’s Kingdom is the paintings of Augustus Osbourne Lamplough. When I recently came back to London after experiencing the greens of Ireland I was taken aback with how brown and muddy the earth felt, the grass crispy under my feet, the leaves and flowers with burnt liver spots. The world was well and truly scorching alive with a wave of heat that follows your every move. Sweating, I set out with my camera in the sweltering heat to explore the torrid areas and capture similar landscapes to Lamplough’s work, the park near my house where I run every day being the main jumping off point, coupled with the coloured slats, trucks and caravans in the midst of setting-up shop for a funfair. I wanted to explore taking the photos that step further – upping the exaggeration by adding a plethora of different shapes hinting at some civilisation in the distance. But is it nothing more than a mirage?

Low Dense – Brian Retunberg Inspired Painting

This weeks Kick About prompt over on Red’s Kingdom is bursting with vivacious pallets of colour in response to the vivid painting of Brian RutenbergLow Dense.

When I was an ambassador for University one hot summer similar to the melting heat in the UK at the moment I was tasked with taking down the graduate shows of the students that proudly presented their creative work to their family, friends and fellow students. I spent a few weeks dismantling the makeshift wooden stages, pulling out nails and painting over the brightly coloured stripes and symbols that students designed to present their work in theme with their creations.

One task that I had to do was take large painted canvases that students had painted on and throw them into the skip near the smokers shed where I spent many lunch breaks laughing and smoking my lungs out with my friends and classmates. It always saddened me to know that some students would rather dump their work no matter how large the canvas was, so instead of giving them the heave-ho into the trash I told my thrifty friends of the free large canvases that they happily decided to take back to their uni homes and upcycle to their hearts contents, painting and drawing what they please.

I kept the largest canvas for myself, Dripping in sweat carrying this beast down the iconic Rochester hill and ended up sandwiching it into my tiny uni bedroom. I never did anything with the canvas for years – it has since followed me along with two house moves. I have had ideas, I cut out all the silhouettes I kept from life drawing classes and thought about doing a collage of all of them together on the large canvas, but never did but I always knew I would when the time was right.

I have always loved Rutenberg’s kaleidoscope of colours, with the blocks of different variants of hues having such an immense power of depth to them. I thought it would be the perfect chance to finally let loose upon this canvas and use the many tubes of paint that I have stashed from many Christmases gifts that otherwise have been left to gather dust. I couldn’t think of any better way to spend a hot day – sitting outside in the heat with a cold beer or two and painting away in the garden. It was a therapeutic experience to say the least. I think I may have to figure out how to make my own canvases.

Gouache Paintings #2

I have been really enjoying painting with Gouache, it is a creative practice that energises me, puts me in the zone and fuels me. I think it’s because with every pigmented brush stroke I switch off for a while and end up feeling more grounded and productive to keep on trucking with other projects in the works. I think I needed a little bit of something different, a bit of oomph, a bit of something to physically get my hands and desk dirty and this has been the key, that along with the transcending coos of Goldfrapp is a proper match. The last painting in this bunch being a quick painting study of Castle Hackett Hill where I spent a day back in Ireland high on the mountain overlooking the haunted Castle Hackett mansion veering below, more on that soon.