This weeks kick about over on Reds Kingdom revolves around Fundus Photography. When looking up images of fundus photography I was reminded of Olafur Eliasson and his otherworldly The Weather Project, but also the people that got to experience such an event. With all this in mind I have been yearning to do some digital painting as it has felt like yonks ago since I have held my wacom pen and got lost in some jazz music while painting away. I envisioned a blazing sun from a planet where the sun fills the air in a misty orange hue – a sprawling metropolis materialised with vivacious characters and stories between them, feeling so close but far away. It was a thoroughly enjoyable prompt to flex those digital painting muscles again.
in regards to my own response I have been having wildly vivid dreams as of late, the kind of dreams where you wake up in the middle of the night and need to write them down, the kind you remember so clearly when you get out of bed in the morning, the kind where you try to decipher their meaning to see if its some sort of cosmic message within your unconscious psyche that needs to be brought to fruition.
These dreams feel as though they relate to the collective phenomena, where people at the start of lockdown had extremely vivid dreams, probably in relation to their unconscious being so fired up because their everyday lives felt like Groundhog Day, something I still feel like I can relate too.
Surrealism, as an art form, is cemented in the unconscious, with surrealist painters adopting many techniques to unlock the power within their unconscious, so that it translates through to their art, including many being influenced by allusive dreams. With this in mind, and with this week’s The Song of love prompt, I have created a landscape of some of the symbols I have recently seen in one dream that has had a lasting effect..
I was watching the very beginning series of Tom and Jerry with my niece and was completely blown away by the gorgeous watercolour background paintings while Tom and Jerry run amok in their usual debauchery. So inspired by the paintings I have decided to adopt a similar more analogue and painterly approach, I think bringing down the complexity of many previous attempts of skies that I painted brings more attention and focus to the foreground elements and works better, that same yellow and pink that Tom and Jerry adopted works well for the Meadow scene, which is a pinnacle part of the film and where the beauty of nature of this world needs to really hit home.
This weeks Kick about was Inspired by Ernst Haeckel and his botanical illustrations showing the intricate microscopic organic matter within nature that might otherwise go amiss. I have always felt sensitive to textures and colours but this year I actually had a camera to capture it with rural Ireland really ramping up my perception towards it. The merging of colours within a few feet of land can completely counteract the next a few feet further and always makes for interesting forms.
I love relishing in the patterns and forms that bloom on a log or that is sandwiched between the trenches of rich brown peat, losing a shoe in the quicksand esque mud with shite up to my knee to get some of these pictures is all part of the pleasure.
Witches broom deformities resembling sea urchins, little pastel snail shells with their inhabitants no more and reindeer moss resembling bleached coral reef all part of the treasures that are nestled within the designs resembling Haeckel’s pieces. Sometimes I would lie on the ground and aim up to the sky to get a certain shot of a branch, plant or twig without it being nestled with its family of flora so that it would be easier to edit and isolate the flora against a clean slate of sky.
A lot of the elements within my designs for this kick about were cut and pasted out of images like the ones above, then significantly editing them by changing the colour and then when all the elements came together I merged them as one and erased half of the image and then copied it one more time to then flip horizontally so they were in exact symmetry.
I was spoiled for choice with this kick about with rural Ireland having a bountiful abundance of botany with textures, colours and shapes of all the flora and vegetation, feeling like an endless pick’n’mix. I always find myself thinking about the intricate patterns and shapes as I snap away, mint green reindeer moss looking like bleached coral under a microscopic macro lens and the swirling and meandering of ice a jigsaw of frozen motion, while twigs, branches and petals looking like spores after some careful manipulation. suffice to say I loved this kick about and loved editing, warping and colour correcting a surplus of photos from recent adventures around Ireland to get a photomontage and mimic Ernst Haeckel’s inspiring Illustrations. I have a real hankering to go on and on with creating more designs like this.
This kick-about prompt by Fernand Leger felt very homely; an abundance of food reminds me of home, so I painted a kitchen illustration of a section of our kitchen, mimicking the colour and skewed perspective of Leger’s piece.
Some more updates of the Oasis world, I have dialled back the colour and added the grass paint effects as per the previous renders. A water reflection has been added as well as and the same painterly tree alpha maps to draw the eye central to the entrance as that will be where the Green Glider will plop Ash when he is introduced to the Oasis.
I have been playing about with trying to achieve a more painterly, soft feel for the Oasis with inspiration drawing from impressionist paintings where colour and light play a massive part in showing nature and landscapes. A lot of trial and error has gone into these tests, mainly because of the colour as a lot of impressionist paintings are influenced by vivid fauvism. I attempted to adopt and get into the headspace of an impressionist, by painting with quick brush strokes of light flickering the water, moving clouds and how the colours would merge together with incessantly moving light, always in a state of flux.
I decided to paint over the render to get the feel before I mend Maya to give me similar results, a lot of which will be achieved by rendering out chunks of trees then softening, blurring and painting over them and turning them into alpha maps that I can plop in place; some of which will be a lot more softened or more crisp to draw the eye to where it needs. I am still a bit unsure of the colour just yet, I don’t know if it’s too much so as always feedback is appreciated.
I am busy designing a pitch document for a fund with The Green Glider with the first page being an eye catching poster that showcases the story of The Green Glider in one vibrant fun image. I am almost done with the pitch document which was really enjoyable to put my designers cap again and I really like how the poster turned out.
This weeks Kick About over at Reds Kingdom is the gorgeous illustrations by Eric Ravilious entitled High Street (1938). I drew one of my favourite places to have a drink or ten with my friends during the Christmas back in my home turf in shop street Galway city – a place that is always bustling with the right amount of life. It will certainly be different this year but Ravilious illustrations made me think back to those bitter winter nights where our bellies would be warm with booze and the sound of buskers filled the cobbled streets.