Bokeh Dance #1

This weeks kick about on Red’s Kingdom is the glorious dancing soundsuits of Nick Cave. I knew that I wanted to make a film, I wanted it to be loud and primal and I wanted to use some sort of fabric or elements that could makeup the intricate soundsuits of Nick Cave’s creations. I decided to chuck a bag of shiny sequins of various shapes into a large wok and film it! Bringing down the shutter speed of my camera and aperture while defocusing so that the tacky butterflies, hearts and stars become nothing but dancing spherical orbs lit ablaze with a tiny but powerful led light. It was one of those moments were everything fell into place so nicely. The edit was a dream and thoroughly enjoyable.

Nebula #2

A second set of cosmos created initially from ingredients found in my kitchen and composited into orbiting planets and galaxies. What I loved about these experiments is that they were initially all accidents, I didn’t know the chemical reaction of vinegar, vegetable oil, alka seltzer tablets and some food colouring along with a bit of staging and lighting could produce something so other worldly. I distinctly remember feeling so elated from this practice and spending countless hours into the night snapping away.

Nebula #1

This weeks fortnightly kick about creative prompt is the short film Powers of Ten 1977 directed by Charles and Ray Eames. This film made me think of how minute our little planet is and wonder about the possibilities of life many light years away. I wonder what those other planets could look like and the beings that inhabit them. I decided to create some Nebulas using the textures from a previous exhilarating kick about and stamped them onto simple 3D spheres, superimposing them atop those same textures while painting galactic elements to create milkyways that possibly maybe could be.

Flux #2

A second crop of altered CGI renders consisting of filaments of fabric for this weeks Naum Gabo Kick About on Red’s Kingdom. One thing so compelling about Gabo’s vessels is the amount of depth in relation to how transparent and delicate certain parts are. You can always feel where the fingers of this craftsman spent the most time making and altering. With my own stream of offerings, things turned up a notch when I started to duplicate the shapes on top of each other, tinkering with its blending of counterparts to provide the depth that I craved.