Previous to my last post with this weeks prompt over on Red’s Kingdom being “Souvenir” here I document the process of achieving such a grisly scene with my mug in a jar and various stumps and limbs being plopped into fluids as a cute keepsake. There is a lot of smoke and mirrors that has gone into creating the scene which I will get into, but first it needs to be explained the trials and tribulations of inserting my head into the jar in the first place. Because I didn’t want to rely too heavily on the edit, I decided to shoot the photos of me for the head with the red coming from dramatic lighting rather than editing. I simply tied a red gel cellophane sheet around one of my standing lamps to turn my room into a makeshift darkroom and continued to make myself look hideous by pulling faces all the while smushing my face against the glass of a picture frame to get the perfect ghastly shot and mimic as if my head was pressed against the inside of the jar. It was tricky at times because I had to angle the glass correctly so that the viewfinder and various screens and lamps would not obstruct the shot of my face and end up having to edit those reflections out. Here are some photos that did and didn’t make the cut. Enjoy.
For anyone that is reading this that isn’t familiar with 3D texture unwrapping, basically I used one of the above photos as the “centre piece” and then in photoshop I stitched together a left side and a separate right side shot of my head into one merged image. I did this so that when I printed the resulting image out it could be physically bended in a cylindrical curved shape and placed into the jar and behave like a real head.
I created an edit of the red to give the option of a sickly yellow and green.
However, my roommates printer started to run out of ink while printing and the A4 paper was too small, the ears and side of my head also needed be closer to the middle and I wasn’t going to use all his printer ink on my printing out my face. To alleviate the paper turning to mush inside the jar I was going to carefully stick strips of sellotape across the page to seal it in, although I kind of liked the thought of seeing what it would look like disintegrating. I knew I could get the results I wanted by manipulating the head photos in photoshop on top of the plate image of the scene and not have to print anything out but I wanted to give a whirl to the print out method.. and maybe pull a prank or two…
In the next post on Gentle Giant I will go into detail about the plethora of props used for the final scenes. Stay tuned.