
What if Metropolis was my second project in university and the first project where I really dived into 3D. All the students had to dip their hands into a box and pluck an artists name and deriving from that artist – create a city in response. Using the artists techniques to apply that to a 3D universe meant that it was quintessential to the project to not just model a city looking like one of the artists paintings, but learn and apply the reason for the artists techniques and fashion that around a sprawling metropolis.
The artist I plucked from the box was the cubist and fauvism painter George Braque. Braque being one of the founders of cubism alongside the wider known Picasso with cubism being birthed around the notion of observing and painting structures or people from different angles and breaking that object up into different perspectives to have them collate together and belong as one, resulting in unique art with a fresh view that resonated many post art movements.

Utilising Braque’s techniques of multiple views and angles I was heavily inspired by the shapes, structures and contours of brutalist architecture, where I always would imagine brutalist architecture structures moving and slotting into place to then move to a different and new structure once it’s inhabitants were sleeping. I feel like many of Braque’s pieces are puzzles; where you hold your gaze shows one thing with the slight change of eye showing another.





With Braque and cubism in mind I created the city that I thought Braque would have envisioned. A lot of Braque’s paintings feature warming colour pallets of yellows, burnt umbers and terracotta’s so I used a reminiscent warm colour pallet. To make the colour pop, it was decided a night scene brimming of moon blues and sea green rim lighting would materialise the oranges as more vivid.
I wanted to create something that felt romantic – a place of refuge away from the mundane, where the sax was heard from the jazz bar on the right in the foreground and where you could get a bite to eat at the restaurant on the left with museums and art galleries making up the background matte painting as the moon lights the little divots in the cobbled streets.
I have had this post in draft mode for a while but nowadays I can’t help feel a tinge of reminiscence to real world lands of equally warming colour pallets, particular to our first year course trip to Rome where I was mesmerised by the grandeur of the structures, those lit up colosseums plumbing with culture and history and the mild nights all which do feel like a worlds away at the moment and one that I really long for. I will have to look into the archives of one of my many external hard drives to see if I can dig up some of those captured memories.
I really enjoyed seeing this work again, Graeme – still holds up nicely! X
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Cheers Phil! I’ll never forget the complete joy of finally unwrapping UV’s correctly and seeing the greyness of Maya start to turn more orange X
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